New Arrivals: PR 1 - PR 9999
Showing 1 - 25 of 565 new items.
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© 2017,From New York Times -bestselling author Philip Kerr, the much-anticipated return of Bernie Gunther, our compromised former Berlin bull and unwilling SS officer. With his cover blown, he is waiting for the next move in the cat-and-mouse game that, even a decade after Germany's defeat, continues to shadow his life. The French Riviera, 1956: The invitation to dinner was not unexpected, though neither was it welcome. Erich Mielke, deputy head of the East German Stasi, has turned up in Nice, and he's not on holiday. An old and dangerous adversary, Mielke is calling in a debt. He intends that Bernie go to London and, with the vial of Thallium he now pushes across the table, poison a female agent they both have had dealings with. But chance intervenes in the form of Friedrich Korsch, an old Kripo comrade now working for Stasi and probably there to make sure Bernie gets the job done. Bernie bolts for the German border. Traveling by night, holed up during the day, Bernie has plenty of down time to recall the last time Korsch and he worked together. It was the summer of 1939: At Hitler's mountaintop retreat in Obersalzberg, the body of a low-level bureaucrat has been found murdered. Bernie and Korsch are selected to run the case. They have one week to solve the murder--Hitler is due back then to celebrate his fiftieth birthday. Lucky Bernie: it's his reward for being Kripo's best homicide detective. He knows what a box he's in: millions have been spent to secure Obersalzberg. It would be a disaster if Hitler were to discover a shocking murder had been committed on the terrace of his own home. But the mountaintop is home to an elite Nazi community. It would be an even bigger disaster for Bernie if one of them was the murderer. 1939 and 1956: two different eras, seventeen years apart. And yet, not really apart, as the stunning climax will show when the two converge explosively. -
© 2017,Victorian Literary Cultures: Studies in Textual Subversion provides readers with close textual analyses regarding the role of subversive acts or tendencies in Victorian literature. By drawing clear cultural contexts for the works under review--including such canonical texts as Dracula, Jane Eyre, Middlemarch, and stories featuring Sherlock Holmes--the critics in this anthology offer groundbreaking studies of subversion as a literary motif. For some late nineteenth-century British novelists, subversion was a central aspect of their writerly existence. Although--or perhaps because--most Victorian authors composed their works for a general and mixed audience, many writers employed strategies designed to subvert genteel expectations. In addition to using coded and oblique subject matter, such figures also hid their transgressive material "in plain sight." While some writers sought to critique, and even destabilize, their society, others juxtaposed subversive themes and aesthetics negatively with communal norms in hopes of quashing progressive agendas. -
© 2017,The Political Poetess challenges familiar accounts of the figure of the nineteenth-century Poetess, offering new readings of Poetess performance and criticism. In performing the Poetry of Woman, the mythic Poetess has long staked her claims as a creature of "separate spheres"--one exempt from emerging readings of nineteenth-century women's political poetics. Turning such assumptions on their heads, Tricia Lootens models a nineteenth-century domestic or private sphere whose imaginary, apolitical heart is also the heart of nation and empire, and, as revisionist histories increasingly attest, is traumatized and haunted by histories of slavery. Setting aside late Victorian attempts to forget the unfulfilled, sentimental promises of early antislavery victories, The Political Poetess restores Poetess performances like Julia Ward Howe's "Battle Hymn of the Republic" and Emma Lazarus's "The New Colossus" to view--and with them, the vitality of the Black Poetess within African-American public life. Crossing boundaries of nation, period, and discipline to "connect the dots" of Poetess performance, Lootens demonstrates how new histories and ways of reading position poetic texts by Felicia Dorothea Hemans, Elizabeth Barrett Browning, Dinah Mulock Craik, George Eliot, and Frances E. W. Harper as convergence points for larger engagements ranging from Germaine de Sta#65533;l to G.W.F. Hegel, Virginia Woolf, Elizabeth Bishop, Alice Walker, and beyond. -
© 2017,"A female investigator every bit as brainy and battle-hardened as Lisbeth Salander." -- Maureen Corrigan, NPR's Fresh Air, on Maisie Dobbs Sunday September 3rd 1939. At the moment Prime Minister Neville Chamberlain broadcasts to the nation Britain's declaration of war with Germany, a senior Secret Service agent breaks into Maisie Dobbs' flat to await her return. Dr. Francesca Thomas has an urgent assignment for Maisie: to find the killer of a man who escaped occupied Belgium as a boy, some twenty-three years earlier during the Great War. In a London shadowed by barrage balloons, bomb shelters and the threat of invasion, within days another former Belgian refugee is found murdered. And as Maisie delves deeper into the killings of the dispossessed from the "last war," a new kind of refugee -- an evacuee from London -- appears in Maisie's life. The little girl billeted at Maisie's home in Kent does not, or cannot, speak, and the authorities do not know who the child belongs to or who might have put her on the "Operation Pied Piper" evacuee train. They know only that her name is Anna. As Maisie's search for the killer escalates, the country braces for what is to come. Britain is approaching its gravest hour -- and Maisie could be nearing a crossroads of her own. -
© 2017,This collection of original essays on Virginia Woolf by leading scholars in the field opens up new debates on the work of one of the foremost modernists of the twentieth century. The collection also looks at some of Woolf's own essays, discussing her theory of fiction and devotion to 'stream of consciousness' writing. Its thirteen contributors place this discussion of Woolf's artistic theory and practice within the context of her association with the Bloomsbury Group and her interest in spirituality, feminism, homosexuality, pacifism and psychoanalysis. -
© 2017,Against the defensive backdrop of countless apologetic justifications for the value of literature and the humanities, Futile Pleasures reframes the current conversation by returning to the literary culture of early modern England, a culture whose defensive posture toward literature rivals and shapes our own. During the Renaissance, poets justified the value of their work on the basis of the notion that the purpose of poetry is to please and instruct, that it must be both delightful and useful. At the same time, many of these writers faced the possibility that the pleasures of literature may be in conflict with the demand to be useful and valuable. Analyzing the rhetoric of pleasure and the pleasure of rhetoric in texts by William Shakespeare, Roger Ascham, Thomas Nashe, Edmund Spenser, and John Milton, McEleney explores the ambivalence these writers display toward literature's potential for useless, frivolous vanity. Tracing that ambivalence forward to the modern era, this book also shows how contemporary critics have recapitulated Renaissance humanist ideals about aesthetic value. Against a longstanding tradition that defensively advocates for the redemptive utility of literature, Futile Pleasures both theorizes and performs the queer pleasures of futility. Without ever losing sight of the costs of those pleasures, McEleney argues that playing with futility may be one way of moving beyond the impasses that modern humanists, like their early modern counterparts, have always faced. -
© 2016,As Spain and England vied for dominance of the Atlantic world during the sixteenth and seventeenth centuries, mounting political and religious tensions between the two empires raised a troubling specter for contemporary British writers attempting to justify early English imperial efforts. Specifically, these writers focused on encounters with black Africans throughout the Atlantic world, attempting to use these points of contact to articulate and defend England's global ambitions. In Black Africans in the British Imagination, Cassander L. Smith investigates how the physical presence of black Africans both enabled and disrupted English literary responses to Spanish imperialism. By examining the extent to which this population helped to shape early English narratives, from political pamphlets to travelogues, Smith offers new perspectives on the literary, social, and political impact of black Africans in the early Atlantic world. With detailed analysis of the earliest English-language accounts from the Atlantic world, including writings by Sir Francis Drake, Sir Walter Ralegh, and Richard Ligon, Smith approaches contact narratives from the perspective of black Africans, recovering figures often relegated to the margins. This interdisciplinary study explores understandings of race and cross-cultural interaction and revises notions of whiteness, blackness, and indigeneity. Smith reveals the extent to which contact with black Africans impeded English efforts to stigmatize the Spanish empire as villainous and to malign Spain's administration of its colonies. In addition, her study illustrates how black presences influenced the narrative choices of European (and later Euro-American) writers, providing a more nuanced understanding of black Africans' role in contemporary literary productions of the region. -
© 2017,The stunning second novel of a trilogy that began with Outline , one of The New York Times Book Review 's ten best books of 2015 In the wake of her family's collapse, a writer and her two young sons move to London. The process of this upheaval is the catalyst for a number of transitions--personal, moral, artistic, and practical--as she endeavors to construct a new reality for herself and her children. In the city, she is made to confront aspects of living that she has, until now, avoided, and to consider questions of vulnerability and power, death and renewal, in what becomes her struggle to reattach herself to, and believe in, life. Filtered through the impersonal gaze of its keenly intelligent protagonist, Transit sees Rachel Cusk delve deeper into the themes first raised in her critically acclaimed novel Outline and offers up a penetrating and moving reflection on childhood and fate, the value of suffering, the moral problems of personal responsibility, and the mystery of change. In this second book of a precise, short, yet epic cycle, Cusk describes the most elemental experiences, the liminal qualities of life. She captures with unsettling restraint and honesty the longing to both inhabit and flee one's life, and the wrenching ambivalence animating our desire to feel real. -
© 2017,A New York Times Book Review Editor's Choice "Disturbing and magical....with a grace and eloquence." - NPR Books "Full of lush, mesmerizing detail and keen insight into the easy intimacy between young girls which disappears with adulthood." - The New Yorker "THE STRAYS is a knowing novel, and beautifully done." - Meg Wolitzer, New York Times bestselling author of The Interestings For readers of Atonement , a hauntingly powerful story about the fierce friendship between three sisters and their friend as they grow up on the outskirts of their parents' wild and bohemian artistic lives. On her first day at a new school, Lily befriends Eva and her sisters Beatrice and Heloise, daughters of the infamous avant-garde painter Evan Trentham. An only child from an unremarkable, working-class family, Lily has never experienced a household like the Trenthams'--a community of like-minded artists Evan and his wife have created, all living and working together to escape the stifling conservatism of 1930's Australia. And Lily has never met anyone like Eva, whose unabashed confidence and worldly knowledge immediately draw her in. Infatuated by the creative chaos of the Trenthams and the artists who orbit them, Lily aches to fully belong in their world, craving something beyond her own ordinary life. She becomes a fixture in their home, where she and Eva spend their days lounging in the garden, filching cigarettes and wine, and skirting the fringes of the adults' glamorous lives, who create scandalous art during the day and host lavish, debauched parties by night. But as seductive as the artists' utopian vision appears, behind it lies both darkness and dysfunction. And the further the girls are pulled in, the greater the consequences become. With elegance and vibrancy, THE STRAYS evokes the intense bonds of girlhood friendships, the volatile undercurrents of a damaged family, and the yearning felt by an outsider looking in. -
© 2016,Throughout his poetry, as he explored how human beings could and should align their wills with God's, John Milton grappled with this reality: as we travel through this life, our paths fork and choices are made, and thus the eventual integration into the divine "all in all" described in Paradise Lost is always delayed or projected forward. In this relationship, Milton sees a generative tension between certainties--such as the premise that God exists and is good--and contingencies, those acts and experiences that are generated by the created world. As the essays in this volume argue, it is this tension that fuels Milton's creative power. These nine scholars, then, take up those parts of Milton's work that wander, that refuse to move in a straight line or come to a fixed conclusion. Milton is seen to be centered on beginnings without clear endings, on figures who cycle or recur, on moments of ambiguity or ambivalence that seemed designed never to resolve. Milton's works draw readers into aesthetic, rhetorical, and epistemological schemes -- plots, tropes, and arguments--that assert the value of differences while, at the same time, calling all differences into question. These essays represent an attempt to take the conversation about Milton's relationship with difference in a new direction; while some critics have argued that "difference" is meaningless in Milton because all differences melt into a singular truth, other critics have seen these differences as destabilizing, rendering Milton a poet of uncertainty and indetermination. With Wandering Steps focuses instead on the procreative and creative impulses at the very heart of Milton's poetry and poetic processes, wherein all paths are valid paths--however far they may seem to wander, they usually return, reunite, and imply the idea of a larger, consistent whole. -
© 2017,In a groundbreaking study of the relationship between chemistry and literary history, Helen Thompson explores the ways in which chemical conceptions of matter shaped eighteenth-century British culture. Although the scientific revolution championed experimental, sense-based knowledge, chemists claimed that perceptible bodies were made of invisible particles or "corpuscles." Neither modern elements nor classical atoms, corpuscles were reactive, divisible units of matter. Imperceptible but real, the corpuscle transformed empirical knowledge in early modern science and the novel. Thompson offers new analyses of the chemistry, alchemy, color theory, physiology, environmental science, and medicine pioneered by Robert Boyle, Isaac Newton, Stephen Hales, John Mitchell, John Arbuthnot, and Thomas Sydenham to argue that they shaped cultural conceptions of racial, class, sex, and species identity. Juxtaposing science with readings of novels by Daniel Defoe, Eliza Haywood, Jonathan Swift, Samuel Richardson, Henry Fielding, William Rufus Chetwood, and Penelope Aubin, she shows how, at the level of form as well as character, novels represent perceptual knowledge that refers not to innate essence but to dynamic and unstable relations. The realist narrative mode that experimental science bequeaths to literary history, Fictional Matter argues, does not transparently mirror perceptible objects. Instead, novels represent the forms and relations through which imperceptible particles stimulate sensory experience. In this lucid, revisionary analysis of corpuscular chemistry, Thompson advances a new account of the influence of experimental science and empirical knowledge on the emergent realist novel. -
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© 2016,Interest in the contribution made by women to the history of philosophy is burgeoning. At the forefront of this revival is Mary Wollstonecraft. While she has long been studied by feminists, and later discovered by political scientists, philosophers themselves have only recently begun to recognise the value of her work for their discipline. This volume brings together new essays from leading scholars, which explore Wollstonecraft's range as a moral and politicalphilosopher of note, both taking a historical perspective and applying her thinking to current academic debates. -
© 2017,Edmund Spenser's poetry remains an indispensable touchstone of English literary history. Yet for modern readers his deliberate use of archaic language and his allegorical mode of writing can become barriers to understanding his poetry. This volume of thirty-seven essays, written by distinguished scholars, offers a rich introduction to the literary, political and religious contexts that shaped Spenser's poetry, including the environment in which he lived, the genres he drew upon, and the influences that helped to fashion his art. The collection reveals the multiple personae that Spenser constructs within his work: to read Spenser is to read a rich archive of literary forms, and this volume provides the contexts in which to do so. A further reading list at the end of the volume will prove invaluable to further study. -
© 2017,What shall we make of medieval English lyrics? They have no fixed line or meter, no consistent point of view, and their content may seem misaligned with the other texts in manuscripts in which they are found. Yet in Lyric Tactics , Ingrid Nelson argues that the lyric poetry of later medieval England is a distinct genre defined not by its poetic features--rhyme, meter, and stanza forms--but by its modes of writing and performance, which are ad hoc, improvisatory, and situational. Nelson looks at anonymous devotional and love poems that circulated in manuscripts of practical, religious, and literary material or were embedded in popular, courtly, and liturgical works. For her, the poems' abilities to participate in multiple modes of transmission are "lyric tactics," responsive and contingent modes of practice that emerge in opposition to institutional or poetic norms. Working across the three languages of medieval England (English, French, and Latin), Nelson examines the tactics of poetic voice in the trilingual texts of British Library MS Harley 2253, which contains the well-known English "Harley lyrics." In a study of the English hymns and French lyrics of the commonplace book of William Herebert, she unearths the moral implications of lyric tactics for the friars who produced and disseminated them. And last, she examines the work of Geoffrey Chaucer and shows how his introduction of Continental poetic forms such as the balade and the rondeau suggests continuity with rather than a break from earlier English lyric. Combining literary analysis, manuscript studies, and cultural history with modern social theory, Ingrid Nelson demonstrates that medieval lyric poetry formed a crucial part of the fabric of later medieval English society. -
© 2017,Light figures being; darkness, death. Bridging mathematical science, semantics, rhetoric, grammar, and major poems, Judith H. Anderson seeks to negotiate writings from multiple disciplines in the shared terms of poiesis and figuration rather than as cultural opposites. Analogy, a type of metaphor, has always been the connector of the known to the unknown, the sensible to the infinite. Anderson's study moves from the figuration of light and death to the history of analogy and its pertinence to light in physics and metaphysics, from Kepler to Donne, Spenser, and Milton. Topics proliferate: creativity, optics, the relation of literature to science, the methodology of thought and argument, and the processes of narrative, discovery, and interpretation. -
© 2017,From Aravind Adiga, the bestselling, Booker Prize#65533;-winning author of The White Tiger , a dazzling new novel about two brothers in a Mumbai slum who are raised by their obsessive father to become cricket stars, and whose coming-of-age threatens their relationship, future, and sense of themselves. Manjunath Kumar is fourteen and living in a slum in Mumbai. He knows he is good at cricket--if not as good as his older brother, Radha. He knows that he fears and resents his domineering and cricket-obsessed father, admires his brilliantly talented sibling, and is fascinated by curious scientific facts and the world of CSI . But there are many things, about himself and about the world, that he doesn't know. Sometimes it even seems as though everyone has a clear idea of who Manju should be, except Manju himself. When Manju meets Radha's great rival, a mysterious Muslim boy privileged and confident in all the ways Manju is not, everything in Manju's world begins to change, and he is faced by decisions that will challenge his understanding of it, as well as his own self. Filled with unforgettable characters from across India's social strata--the old scout everyone calls Tommy Sir; Anand Mehta, the big-dreaming invest∨ Sofia, a wealthy, beautiful girl and the boys' biggest fan--this book combines the best of The Art of Fielding and Slumdog Millionaire for a compulsive, moving story of adolescence and ambition, fathers, sons, and brothers. Selection Day is Adiga's most absorbing, big-hearted novel to date, and proves why "with his gripping, amusing glimpse into the contradictions and perils of modern India, Aravind Adiga has cemented his reputation as the preeminent chronicler of his country's messy present" ( Newsweek ). -
© 2016,A fascinating case for the identity of Shakespeare's beautiful young man SHAKESPEARE'S SONNETS ARE indisputably the most enigmatic and enduring love poems written in English. They also may be the most often argued-over sequence of love poems in any language. But what is it that continues to elude us? While it is in part the spellbinding incantations, the hide-and-seek of sound and meaning, it is also the mystery of the noble youth to whom Shakespeare makes a promise--the promise that the youth will survive in the breath and speech and minds of all those who read these sonnets. "How can such promises be fulfilled if no name is actually given?" Elaine Scarry asks. This book is the answer. Naming Thy Name lays bare William Shakespeare's devotion to a beloved whom he not only names but names repeatedly in the microtexture of the sonnets, in their architecture, and in their deep fabric, immortalizing a love affair. By naming his name, Scarry enables us to hear clearly, for the very first time, a lover's call and the beloved's response. Here, over the course of many poems, are two poets in conversation, in love, speaking and listening, writing and writing back. In a true work of alchemy, Scarry, one of America's most innovative and passionate thinkers, brilliantly synthesizes textual analysis, literary criticism, and historiography in pursuit of the haunting call and recall of Shakespeare's verse and that of his (now at last named) beloved friend. -
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© 2017,Rebus investigates a cold case that just turned red hot. As he settles into an uneasy retirement, Rebus has given up his favorite vices. There's just one habit he can't shake: he can't let go of an unsolved case. It's the only pastime he has left and up until now, it's the only one that wasn't threatening to kill him. But when Rebus starts reexamining the facts behind the long-ago murder of a glamorous woman at a luxurious hotel - on the same night a famous rock star and his entourage where also staying there - the past comes roaring back to life with a vengeance. And as soon as Rebus starts asking questions about the long forgotten crime, a fresh body materializes. His inquiries reunite him with his old pals-Siobhan Clarke and Malcolm Fox-as they attempt to uncover the financial chicanery behind the savage beating of an upstart gangster, a crime that suggests the notorious old school crime boss Big Ger Cafferty has taken to retirement as poorly as Rebus himself. As he connects the mysteries of the past to the those of the present, Rebus learns - the hard way - that he's not the only one with an insatiable curiosity about what happened in that hotel room forty years ago, and that someone will stop at nothing to ensure that the crime remains ancient history. A twisted tale of power, corruption, and bitter rivalries in the dark heart of Edinburgh, Rather Be the Devil showcases Rankin and Rebus at their unstoppable best. -
© 2017,AN INSTANT NEW YORK TIMES BESTSELLER "A dark, electrifying page-turner with a corker of an ending." --Harlan Coben, #1 New York Times bestselling author "An eerie thriller...Pinborough keeps us guessing about just who's manipulating whom - until the ending reveals that we've been wholly complicit in this terrifying mind game." -- The New York Times Book Review "Deserves its own warning label...Avoid any contact with the growing buzz concerning the novel's ingenious, to-die-for twist." -- BookPage Why is everyone talking about the ending of Sarah Pinborough's Behind Her Eyes ? Louise is a single mom, a secretary, stuck in a modern-day rut. On a rare night out, she meets a man in a bar and sparks fly. Though he leaves after they kiss, she's thrilled she finally connected with someone. When Louise arrives at work on Monday, she meets her new boss, David. The man from the bar. The very married man from the bar...who says the kiss was a terrible mistake, but who still can't keep his eyes off Louise. And then Louise bumps into Adele, who's new to town and in need of a friend. But she also just happens to be married to David. And if you think you know where this story is going, think again, because Behind Her Eyes is like no other book you've read before. David and Adele look like the picture-perfect husband and wife. But then why is David so controlling? And why is Adele so scared of him? As Louise is drawn into David and Adele's orbit, she uncovers more puzzling questions than answers. The only thing that is crystal clear is that something in this marriage is very, very wrong. But Louise can't guess how wrong--and how far a person might go to protect their marriage's secrets. In Behind Her Eyes , Sarah Pinborough has written a novel that takes the modern day love triangle and not only turns it on its head, but completely reinvents it in a way that will leave readers reeling.