New Arrivals: PQ 1 - PQ 4000.9999
Showing 26 - 50 of 101 new items.
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© 2004,Après la mort du Bossu, et la vente des Romarins, Manon et sa mère s'installent dans la grotte de Baptistine. Quelques années plus tard, Manon trouve l'occasion de se venger... Pagnol s'est souvent adapté lui-même, passant aisément du théâtre an cinéma. Ici, il fait le chemin inverse, et adapte un film en roman : Manon des sources (1963), deuxième partie de L'Eau des collines, est la "mise en roman" du film éponyme. tourné dix ans plus tôt. On en retrouve tous les personnages, et on est émerveillé de voir que les dialogues, qui sont souvent, mot à mot, les mêmes, "s'entendent" aussi bien sur la page que sur l'écran. Manon des sources sera une sorte de testament : Pagnol ne réalisera jamais Jean de Florette, et n'écrira plus de fiction. "Le murmure était plus fort ; c'était une chanson tintante et cristalline... Elle s'arrêta, éleva la petite flamme au-dessus de sa tête, et vit sur le sol danser une étoile : comme elle se penchait, un visage monta vers elle, et c 'était le sien".
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© 2014,The German Occupation of France put an end to Maurice Blanchot's career as a political journalist. In April 1941 he began to publish a weekly column of literary criticism in the Journal des Debats, which became the source for his first critical work, Faux pas (1943). As well as providing a unique perspective on cultural life during the Occupation, these pieces offer crucial insights into the mind and art of a writer who was to become one of the most influential figures on the French literary scene in the second half of the twentieth century. As well as laying the basis for the career of one France's most original writers and thinkers, these articles also offer a reminder that Blanchot's political awareness remains undimmed, through clear if sometimes coded acts of criticism or defiance of the prevailing order.
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© 1986,The writing is superlative ... daringly imaginative, intended only for those awake and aware of the possibilities of excess - in literature and in life. Along with Celine and Breton, Bataille writes as if he were dropping a bomb; in a fore-flash he creates a world of demented funereal sexuality.'Detroit Free Press Set against the backdrop of Europe's slide into Fascism, Blue of Noon is one of Bataille's most overtly political works, exploring the ambiguity of sex as a subversive force and synthesizing the fetishes of violence, power and death that mesmerized an age. In this classic of twentieth century eroticism, the reader is taken on a dark journey through the psyche of the pre-war French intelligensia, torn between identification with the victims of history and the glamour of its victors. Georges Bataille was born in 1897 and died in 1962. His combination of scholarship and creative genius assured his pre-eminence among his generation of French intellectuals. Other books by Georges Bataille also published by Marion Boyars are Eroticism, Story of the Eye, Literature and Evil, L'Abbe C, and My Mother, Madame Edwarda and the Dead Man.
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© 2001,Two volumes of Colette's most beloved works, with a new Introduction by Judith Thurman. Chéri , together with The Last of Chéri , is a classic story of a love affair between a very young man and a charming older woman. The amour between Fred Peloux, the beautiful gigolo known as Chéri, and the courtesan Léa de Lonval tenderly depicts the devotion that stems from desire, and is an honest account of the most human preoccupations of youth and middle age. With compassionate insight Colette paints a full-length double portrait using an impressionistic style all her own.
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© 2015,An abbot's ghost searches for an intelligent monk to exhume his manuscript from a hellish crypt and learn the truth that monks lack two things: freedom of inquiry and benevolence.
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© 2004,One cold Moscow night, Comrade Tulayev, a high government official, is shot dead on the street, and the search for the killer begins. In this panoramic vision of the Soviet Great Terror, the investigation leads all over the world, netting a whole series of suspects whose only connection is their innocence--at least of the crime of which they stand accused. But The Case of Comrade Tulayev , unquestionably the finest work of fiction ever written about the Stalinist purges, is not just a story of a totalitarian state. Marked by the deep humanity and generous spirit of its author, the legendary anarchist and exile Victor Serge, it is also a classic twentieth-century tale of risk, adventure, and unexpected nobility to set beside Ernest Hemingway's For Whom the Bell Tolls and André Malraux's Man's Fate .
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© 2015,La 4e de couverture indique : « Dans une France assez proche de la nôtre, un homme s'engage dans la carrière universitaire. Peu motivé par l'enseignement, il s'attend à une vie ennuyeuse mais calme, protégée des grands drames historiques. Cependant les forces en jeu dans le pays ont fissuré le système politique jusqu'à provoquer son effondrement. Cette implosion sans soubresauts, sans vraie révolution, se développe comme un mauvais rêve. Le talent de l'auteur, sa force visionnaire nous entraînent sur un terrain ambigu et glissant ; son regard sur notre civilisation vieillissante fait coexister dans ce roman les intuitions poétiques, les effets comiques, une mélancolie fataliste. Ce livre est une saisissante fable politique et morale.»
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© 2014,Dans un pays du Proche-Orient, un enfant et sa mère occupent une maison jaune juchée sur une colline. La guerre a emporté le père. Mère et fils voudraient se blottir l'un contre l'autre, s'aimer et se le dire, mais tandis que l'une arpente la terrasse en ressassant ses souvenirs, l'autre, dans le grenier où elle a cru opportun de le cacher, se plonge dans des rêveries, des jeux et des divagations que lui permet seule la complicité amicale des mots. Soudain la guerre reprend. Commence alors pour Jean une nouvelle vie, dans un pays d'Europe où une autre mère l'attend, Sophie, convaincue de trouver en lui l'être de lumière qu'elle pourra choyer et qui l'aidera, pense-t-elle, à vaincre en retour ses propres fantômes. Ce texte, cruel et tendre à la fois, est avant tout le formidable cri d'un enfant qui, à l'étouffement et au renoncement qui le menacent, oppose une affirmation farouche et secrète de la vie. C'est ce dur apprentissage, fait d'intuition et de solitude, qui lui ouvrira plus tard des perspectives insoupçonnées.
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© 2014,A collection of Colette's best writings that have never before appeared in English.
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© 2006,Les effets, c’est ce qu’on emporte quand on doit se hâter, ce qui peut être difficile à accepter, devenir encombrant. Mais surtout, pour Ludwika et ses proches, les effets ce sont les impressions ineffaçables causées par l’arrivée d’un paquet qu’on n'attendait plus. De pèlerinage en pérégrinations, on remonte le long des racines des personnages, sur les berges de l’enfance, au creux des jeunes pousses de l’adolescence, dans les rides de l’écorce revêtue. Traversée par les ressources inépuisables des origines, la question du lien aiguillonne les personnages. Elle surprend chacun là où il se trouve.
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© 2014,André du Bouchet, a great innovator of twentieth-century letters, has yet to be fully recognized by a wide circle of international readers. This inviting volume sets out to remedy the oversight, introducing a selection of du Bouchet's poetry and prose to English-language readers through the brilliant translations of Paul Auster and Hoyt Rogers. Openwork showcases pieces from the author's entire trajectory, beginning with little-known pieces from the 1950s, followed by major poems from the 1960s, and concluding with works written or rewritten in the poet's later decades. Throughout his life, du Bouchet devoted himself to long walks in his beloved French countryside, jotting down entries in notebooks as he rambled. These notebooks--more than one hundred all together--have emerged as signal works in their own right, and their musings are well represented in this anthology. -
© 2014,"Intelligent, insightful, and superbly researched. Jones has succeeded especially well in presenting so many texts and recounting their stories with clarity, brevity, and a light hand."--William Calin, author of The French Tradition and Literature of Medieval England nbsp; "An essential introduction to the Old French chanson de geste tradition, from basic texts to critical considerations of the genre including later versions in Europe and some lesser-known texts. Provides background for aspiring medievalists in many fields and engages readers with its lively presentations of critical discussions."--Leslie Zarker Morgan, coeditor of Approaches to Teaching the "Song of Roland" nbsp; "An indispensable research tool for students and scholars of Old French literature. Its nuanced readings, informed by Jones's admirable command of both previous and current scholarship, not only set the major French epics in a rich literary, social, and historical context but also reveal the continuing relevance of the ethical issues raised by these medieval poems. This book will make the teaching of La Chanson de Roland (and other French epic texts) a less daunting task for those of us who are not specialists. A welcome addition to my library!"--Elizabeth W. Poe, author of Compilatio nbsp; Loosely based on French history but often embellished in fantastical ways and written to be performed by minstrels and jongleurs, chansons de geste are one of the most important traditions of the French Middle Ages. With an overview of the principal epic cycles, their literary and historical analogues, close readings, contemporary versions and allusions, notes on dates and versification, and a glossary of key terms, Catherine Jones makes these poems accessible to students and any reader interested in learning more about this lively genre. She presents an essential survey of traditional scholarship, such as debates about sources and elements of style, and raises intriguing contemporary questions related to alterity, gender, and genre. With its many critical layers, this book is ideal for undergraduates and teachers alike. -
© 2014,"Abbe Faujas has arrived!"The arrival of Abbe Faujas in the provincial town of Plassans has profound consequences for the community, and for the family of Francois Mouret in particular. Faujas and his mother come to lodge with Francois, his wife Marthe, and their three children, and Marthe quickly falls under the influenceof the priest. Ambitious and unscrupulous, Faujas gradually infiltrates into all quarters of the town, intent on political as well as religious conquest. Intrigue, slander, and insinuation tear the townsfolk apart, creating suspicion and distrust, and driving the Mourets to ever more extremeactions.The fourth novel in Zola's Rougon-Macquart sequence, The Conquest of Plassans returns to the fictional Provencal town from which the family sprang in The Fortune of the Rougons. In one of the most psychological of his novels, Zola links small-town politics to the greater political and nationaldramas of the Second Empire.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expertintroductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. -
© 2014,In this essential trilogy of novellas by the winner of the 2014 Nobel Prize in Literature, French author Patrick Modiano reaches back in time, opening the corridors of memory and exploring the mysteries to be encountered there. Each novella in the volume-- Afterimage , Suspended Sentences , and Flowers of Ruin --represents a sterling example of the author's originality and appeal, while Mark Polizzotti's superb English-language translations capture not only Modiano's distinctive narrative voice but also the matchless grace and spare beauty of his prose. Although originally published separately, Modiano's three novellas form a single, compelling whole, haunted by the same gauzy sense of place and characters. Modiano draws on his own experiences, blended with the real or invented stories of others, to present a dreamlike autobiography that is also the biography of a place. Orphaned children, mysterious parents, forgotten friends, enigmatic strangers--each appears in this three-part love song to a Paris that no longer exists. Shadowed by the dark period of the Nazi Occupation, these novellas reveal Modiano's fascination with the lost, obscure, or mysterious: a young person's confusion over adult behavior; the repercussions of a chance encounter; the search for a missing father; the aftershock of a fatal affair. To read Modiano's trilogy is to enter his world of uncertainties and the almost accidental way in which people find their fates. -
© 2014,Scholars examining literature from former French colonies sometimes view it wrongly as simply an outgrowth of colonial literature. By suggesting new ways to understand the multiple voices present, this book explores how Francophone African poetry and theatre in particular, since the 1960s, constitute both an organic cultural product and a reflection of the diverse African cultures in which they originate.Themes explored in five chapters include the many kinds of African identity formation, the resistance to former notions of literary composition as art, a remapping of social responsibility, and the impact of globalization on Francophone Africa's participation in world economics, politics and culture. This study highlights the inner workings of Francophone African literature and suggests a canonization of modern Francophone works from a world perspective. -
© 2014,To this day, Emily Dickinson remains a beloved and enigmatic figure in American poetry. This "lady in white," who shut herself away from the world and found solace alone with her words, has since her death been viewed primarily through the lens of her poetry, which afforded her beauty and hope amid the agony and loneliness of her life. As a reclusive writer himself, contemporary French author Christian Bobin felt a kindred tie to the poetess, and his book The Lady in White honors Dickinson in the form of a brief, poetically imagined account of her life and the work that she gave the world. This fresh and personal interpretation of Dickinson's life leaves one with an impression of knowing Dickinson both through her poetry, as recalled by Bobin, and as he senses the person she was through her work and the sparse facts we have about her life. nbsp; -
© 2012,From Elie Wiesel, Nobel laureate and author of Night, a charged, deeply moving novel about the legacy of the Holocaust in today's troubled world and the ongoing Israeli-Palestinian conflict. nbsp; nbsp; nbsp; nbsp; nbsp; nbsp;nbsp;It's 1975, and Shaltiel Feigenberg--professional storyteller, writer and beloved husband--has been taken hostage: abducted from his home in Brooklyn, blindfolded and tied to a chair in a dark basement. His captors, an Arab and an Italian, don't explain why the innocent Shaltiel has been chosen, just that his life will be bartered for the freedom of three Palestinian prisoners. As his days of waiting commence, Shaltiel resorts to what he does best, telling stories--to himself and to the men who hold his fate in their hands. nbsp; nbsp; nbsp; nbsp; nbsp; nbsp;nbsp;With beauty and sensitivity, Wiesel builds the world of Shaltiel's memories, haunted by the Holocaust and a Europe in the midst of radical change. A Communist brother, a childhood spent hiding from the Nazis in a cellar, the kindness of liberating Russian soldiers, the unrest of the 1960s--these are the stories that unfold in Shaltiel's captivity, as the outside world breathlessly follows his disappearance and the police move toward a final confrontation with his captors. nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp; Impassioned, provocative and insistently humane, Hostage is both a masterly thriller and a profoundly wise meditation on the power of memory to connect us to the past and our shared need for resolution. -
© 2014,'The irresistible power of money, a lever that can lift the world. Love and money are the only things.' Aristide Rougon, known as Saccard, is a failed property speculator determined to make his way once more in Paris. Unscrupulous, seductive, and with unbounded ambition, he schemes and manipulates his way to power. Financial undertakings in the Middle East lead to the establishment of a powerful newbank and speculation on the stock market; Saccard meanwhile conducts his love life as energetically as he does his business, and his empire is seemingly unstoppable. Saccard, last encountered in The Kill (La Curee) in Zola's Rougon-Macquart series, is a complex figure whose story intricately intertwines the worlds of politics, finance, and the press. The repercussions of his dealings on all levels of society resonate disturbingly with the financial scandals ofmore recent times. This is the first new translation for more than a hundred years, and the first unabridged translation in English. The edition includes a wide-ranging introduction and useful historical notes. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expertintroductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. -
© 2014,An NYRB Classics Original Michel Hartog, a sometime architect, is a powerful businessman and famous philanthropist whose immense fortune has just grown that much greater following the death of his brother in an accident. Peter is his orphaned nephew--a spoiled brat. Julie is in an insane asylum. Thompson is a hired gunman with a serious ulcer. Michel hires Julie to look after Peter. And he hires Thompson to kill them. Julie and Peter escape. Thompson pursues. Bullets fly. Bodies accumulate. The craziness is just getting started. Like Jean-Patrick Manchette's celebrated Fatale , The Mad and the Bad is a clear-eyed, cold-blooded, pitch-perfect work of creative destruction. -
© 2014,Tristan Tzara, one of the most important figures in the twentieth century's most famous avant-garde movements, was born Samuel Rosenstock (or Samueli Rosentok) in a provincial Romanian town, on April 16 (or 17, or 14, or 28) in 1896. Tzara became Tzara twenty years later at the Cabaret Voltaire in Zurich, when he and others (including Marcel Janco, Hugo Ball, Richard Huelsenbeck, and Hans Arp) invented Dada with a series of chaotic performances including multilingual (and nonlingual) shouting, music, drumming, and calisthenics. Within a few years, Dada (largely driven by Tzara) became an international artistic movement, a rallying point for young artists in Paris, New York, Barcelona, Berlin, and Buenos Aires. With TaTa Dada , Marius Hentea offers the first English-language biography of this influential artist. As the leader of Dada, Tzara created "the moment art changed forever." But, Hentea shows, Tzara and Dada were not coterminous. Tzara went on to publish more than fifty books; he wrote one of the great poems of surrealism; he became a recognized expert on primitive art; he was an active antifascist, a communist, and (after the Soviet repression of the Hungarian Revolution) a former communist. Hentea offers a detailed exploration of Tzara's early life in Romania, neglected by other scholars; a scrupulous assessment of the Dada years; and an original examination of Tzara's life and works after Dada. The one thing that remained constant through all of Tzara's artistic and political metamorphoses, Hentea tells us, was a desire to unlock the secrets and mysteries of language. -
© 2014,Often marginalised on the sidelines of both philosophy and literature, the works of Albert Camus have, in recent years, undergone a renaissance. While most readers in either discipline claim Camus and his works to be 'theirs', the scholars presented in this volume tend to see him and his works in both philosophy and literature.This volume is a collection of critical essays by an international menagerie of Camus experts who, despite their interpretive differences, see Camus through both lenses. For them, he is a novelist/essayist who embodies a philosophy that was never fully developed due to his brief life.The essays here examine Camus's first published novel, The Stranger, from a variety of critical and theoretical perspectives, each drawing on the author's knowledge to present the first known critical examination in English. As such, this volume will shed new light on previous scholarship. -
© 2014,If your mentally ill patient dies, are you to blame? For Dr. Françoise Davoine, a Parisian psychoanalyst, this question becomes disturbingly real as one of her patients commits suicide on the eve of All Saints' Day. She herself has a crisis, as she reflects on her thirty-year career and questions whether she should ever return to the hospital. But return she does, and thus commences a strange voyage across several centuries and countries, in which patients, fools, and the actors of medieval farces rise up from the past along with great thinkers who represent the author's own philosophical and literary sources: the humanist Erasmus, mathematician René Thom, writer Antonin Artaud, philosopher Ludwig Wittgenstein, and physicist Edwin Schrödinger, to name a few. Imaginary dialogues ensue as the analyst conjures up an interconnected world, where apiculture, wondrous rituals, theater, and language games illuminate her therapeutic practice as well as her personal history. Deeply affected by her voyage of discovery, the author becomes capable of implementing the teachings of psychotherapist Gaetano Benedetti, a mentor she visits at carnival time on a final fictional stopover in Switzerland. His advice, that the analyst become the equal of her patients and immerse herself in their madness so as to open up a space for treatment, is premised on the belief that individual illness is a reflection and result of severe historical trauma. Mother Folly , which ends on a positive note, is an important intervention in the debate about how to treat the mentally ill, particularly those with psychosis. A practicing analyst and a skilled reader of literary and philosophical texts, Davoine provides a humane antidote to our increasingly mechanized and drug-reliant system of dealing with "fools and madmen."