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© 2015,Blank verse, unrhymed iambic pentameter, has been central to English poetry since the Renaissance. It is the basic vehicle of Shakespeare's plays and the form in which Milton chose to write Paradise Lost. Milton associated it with freedom, and the Romantics, connecting it in turn with freethinking, used it to explore change and confront modernity, sometimes in unexpectedly radical ways. Henry Weinfield's detailed readings of the masterpieces of English blank verse focus on Milton, Wordsworth, Shelley, Keats, Tennyson and Stevens. He traces the philosophical and psychological struggles underlying these poets' choice of form and genre, and the extent to which their work is marked, consciously or not, by the influence of other poets. Unusually attuned to echoes between poems, this study sheds new light on how important poetic texts, most of which are central to the literary canon, unfold as works of art. -
© 2016,NEW YORK TIMES BESTSELLER * "Fifteen years after The Life of Pi, Yann Martel is taking us on another long journey. Fans of his Man Booker Prize-winning novel will recognize familiar themes from that seafaring phenomenon, but the itinerary in this imaginative new book is entirely fresh. . . . Martel's writing has never been more charming."--Ron Charles, The Washington Post In Lisbon in 1904, a young man named Tomás discovers an old journal. It hints at the existence of an extraordinary artifact that--if he can find it--would redefine history. Traveling in one of Europe's earliest automobiles, he sets out in search of this strange treasure. Thirty-five years later, a Portuguese pathologist devoted to the murder mysteries of Agatha Christie finds himself at the center of a mystery of his own and drawn into the consequences of Tomás's quest. Fifty years on, a Canadian senator takes refuge in his ancestral village in northern Portugal, grieving the loss of his beloved wife. But he arrives with an unusual companion: a chimpanzee. And there the century-old quest will come to an unexpected conclusion. The High Mountains of Portugal --part quest, part ghost story, part contemporary fable--offers a haunting exploration of great love and great loss. Filled with tenderness, humor, and endless surprise, it takes the reader on a road trip through Portugal in the last century--and through the human soul. Praise for The High Mountains of Portugal "Just as ambitious, just as clever, just as existential and spiritual [as Life of Pi ] . . . a book that rewards your attention . . . an excellent book club choice." -- San Francisco Chronicle "There's no denying the simple pleasures to be had in The High Mountains of Portugal ." -- Chicago Tribune "I took away indelible images from High Mountains, enchanting and disturbing at the same time: the motorcar hitting obstacle after obstacle as it gradually, comically falls to pieces (as does its driver), or the ape as he swings his way across the rooftops of a Portuguese village. As whimsical as Martel's magic realism can be, grief informs every step of the book's three journeys. In the course of the novel we burrow ever further into the heart of an ape, pure and threatening at once, our precursor, ourselves. You must change your life." --NPR "Refreshing, surprising and filled with sparkling moments of humor and insight." -- The Dallas Morning News "We're fortunate to have brilliant writers using their fiction to meditate on a paradox we need urgently to consider--the unbridgeable gap and the unbreakable bond between human and animal, our impossible self-alienation from our world. . . . [Martel's] semi-surreal, semi-absurdist mode is well suited to exploring the paradox. The moral and spiritual implications of his tale have, in the end, a quality of haunting tenderness." --Ursula K. Le Guin, The Guardian "[Martel packs] his inventive novel with beguiling ideas. What connects an inept curator to a haunted pathologist to a smitten politician across more than seventy-five years is the author's ability to conjure up something uncanny at the end." -- The Boston Globe "A fine home, and story, in which to find oneself." --Minneapolis Star Tribune
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© 2015,Shakespeare's four-hundred-year performance history is full of anecdotes - ribald, trivial, frequently funny, sometimes disturbing, and always but loosely allegiant to fact. Such anecdotes are nevertheless a vital index to the ways that Shakespeare's plays have generated meaning across varied times and in varied places. Furthermore, particular plays have produced particular anecdotes - stories of a real skull in Hamlet , superstitions about the name Macbeth , toga troubles in Julius Caesar - and therefore express something embedded in the plays they attend. Anecdotes constitute then not just a vital component of a play's performance history but a form of vernacular criticism by the personnel most intimately involved in their production: actors. These anecdotes are therefore every bit as responsive to and expressive of a play's meanings across time as the equally rich history of Shakespearean criticism or indeed the very performances these anecdotes treat. Anecdotal Shakespeare provides a history of post-Renaissance Shakespeare and performance, one not based in fact but no less full of truth.
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© 2000,Claude Rawson examines the evolution of satirical writing in the period 1660-1830. In a sequence of linked chapters, some new and others revised substantially from earlier articles, he focuses on English writers from Rochester to Austen, both within a contemporaneous European context and as part of a tradition deriving from classical and 16th-century Humanist predecessors (Homer, Virgil, Erasmus, Montaigne) and leading to later writers like Flaubert and Yeats. Within the period 1660-1830 satire moved from an unusually dominant position to a relatively modest one, softened by the cult of sensibility or sentiment. The transition was connected with large social and cultural changes culminating in the French Revolution. Rawson's method is to concentrate on stress points, on evasions and internal contradictions, and on continuities and discontinuities with earlier and later periods and with literatures and modes of thought outside Britain.
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© 1984,This book raises fundamental questions about our understanding of Victorian sexuality. Charlotte Brontë was no 'other Victorian' living out a secret life in a sexual underworld, but she did centre her life's work on exploring the complexities of our sexual nature. John Maynard shows how Brontë's early stories and novelettes, written from her teens to young maturity for a private audience of her sisters and brother, deal openly with a 'world below' of consuming passion, adultery, seduction, promiscuity, frigidity and incest. He traces how these themes are incorporated into Brontë's mature published work, where her psychological insight into the complexities of sexual need finds its consummate expression. Brontë's mature novels, especially Jane Eyre and Villette offer an intensely felt but finely realised vision of sexual awakening. They are however, deeply aware of the difficulties that beset sexual experience. Unlike a number of studies, this book stresses the insight, achievement and artistic mastery of Charlotte Brontë, who still challenges us to comprehend the subtleties and complexities of her impressively articulated discourse on sexuality.
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© 2011,A thoroughly revised edition of the successful student text Doing Shakespeare, first published in 2005. The book's success lies in the close readings of speeches and scenes it gives students, demystifying the language of the plays and critical approaches to them. This new edition introduces a new way of approaching Shakespeare's text, through ideas of performance and the actor's role and restructures the content to make it easier to navigate, with clear signposting throughout, guiding students to the content most useful to them. Simon Palfrey takes a direct approach to the common difficulties faced by students "doing" Shakespeare and tackles them head-on in a no-nonsense style, making the book especially accessible. He brings us much closer to the animate life of the plays, as things that are not finished monuments but living material, in process and up for grabs, empowering students to see opportunities for their own creative or re-creative readings of Shakespeare.
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© 2014,This is a complete resource for scholars and students of Tolkien, as well as avid fans, with coverage of his life, work, dominant themes, influences, and the critical reaction to his writing. An in-depth examination of Tolkien's entire work by a cadre of top scholars Provides up-to-date discussion and analysis of Tolkien's scholarly and literary works, including his latest posthumous book, The Fall of Arthur , as well as addressing contemporary adaptations, including the new Hobbit films Investigates various themes across his body of work, such as mythmaking, medieval languages, nature, war, religion, and the defeat of evil Discusses the impact of his work on art, film, music, gaming, and subsequent generations of fantasy writers
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© 2004,This spirited account of the exploits of a crew of Saxon archers during the Hundred Years War features cameo appearances by historical figures such as Edward III and the Black Prince. Flavorful and realistic in its depictions of medieval life, the novel combines the excitement of a rugged adventure with the romance of chivalry.
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© 2000,Handwriting is Michael Ondaatje's first new book of poetry since The Cinnamon Peeler. It is a collection of exquisitely crafted poems of delicacy and power--poems about love, landscape, and the sweep of history set in the poet's first home, Sri Lanka. The falling away of culture is juxtaposed with an individual's sense of loss, grief, and remembrance, as Ondaatje weaves a rich tapestry of images--the unburial of stone Buddhas, a family of stilt-walkers crossing a field, the pattern of teeth marks on skin drawn by a monk from memory. And, like the poets who wrote their stories on rock and leaf / to celebrate the work of the day, / the shadow pleasures of the night, in these poems Ondaatje writes of desire and longing, the curve of a bridge against a woman's foot, the figure of a man walking through a rainstorm to a tryst. Handwriting is a poetic achievement by a writer at the height of his creative powers. In it, we are reminded once again of Michael Ondaatje's unique artistry with language and of his stature as one of the finest poets writing today.
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© 2011,What is the significance of Shylock's ring in The Merchant of Venice? How does Shakespeare create Gertrude's closet in Hamlet? How and why does Ariel prepare a banquet in The Tempest? In order to answer these and other questions, Shakespeare and Material Culture explores performance from the perspective of the material conditions of staging. In a period just starting to be touched by the allure of consumer culture, in which objects were central to the way gender and social status were experienced but also the subject of a palpable moral outrage, this book argues that material culture has a particularly complex and resonant role to play in Shakespeare's employment of his audience's imagination. Chapters address how props and costumes work within the drama's dense webs of language - how objects are invested with importance and how their worth is constructed through the narratives which surround them. They analyse how Shakespeare constructs rooms on the stage from the interrelation of props, the description of interior spaces and the dynamics between characters, and investigate the different kinds of early modern practices which could be staged - how the materiality of celebration, for instance, brings into play notions of hospitality and reciprocity. Shakespeare and Material Culture ends with a discussion of the way characters create unique languages by talking about things - languages of faerie, of madness, or of comedy - bringing into play objects and spaces which cannot be staged. Exploring things both seen and unseen, this book shows how the sheer variety of material cultures which Shakespeare brings onto the stage can shed fresh light on the relationship between the dynamics of drama and its reception and comprehension.
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© 2015,'They secretly indulged all their desires, their joys and delights, whenever they could, day and night' In the twelfth century, fiction was reinvented in English literature. Stories of romance and adventure emerged which heralded new understandings of human experience, the relations between people and the significance of the individual. Above all, this fiction brought love into literary narrative, and the idea that the crowning goal of life is personal fulfilment. The pieces in this wide-ranging anthology, originally written in Latin, French or Middle English by authors such as Geoffrey of Monmouth, Chaucer and Marie de France, are inspirations for some of the best-known later works in literature. They are newly translated into clear modern prose, with glosses provided for Middle English texts. Edited with introductions by Laura Ashe
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© 2016,C. S. Lewis, J. R. R. Tolkien, and the other members of the Inklings met each week to read and discuss each other's work-in-progress, offering both encouragement and blistering critique. How did these conversations shape the books they were writing? How does creative collaboration enhance individual talent? And what can we learn from their example? Beautifully illustrated by James A. Owen, Bandersnatch offers an inside look at the Inklings of Oxford--and a seat at their table at The Eagle and Child pub. It shows how encouragement and criticism made all the difference in The Lord of the Rings , the Chronicles of Narnia, and dozens of other books written by the members of this literary circle. You'll learn what made these writers tick and more: inspired by their example, you'll discover how collaboration can help your own creative process and lead to genius breakthroughs in whatever work you do.
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© 2016,From Maeve Binchy's earliest writings to the most recent, her work is filled with wisdom and common sense and also a sharp, often witty voice that is insightful and reaches out to her readers around the world and of all ages. Whether it is one of her best-selling novels or a short story, Maeve shows us that times may have changed, but people often remain the same: they fall in love, sometimes unsuitably; they have hopes and dreams; they have deep, long-standing friends whose secrets are shared; they go on holidays and celebrate new jobs . . . A Few of the Girls is a glorious collection of the very best of her short story writing, stories that were written over the decades--some published in magazines, others for friends as gifts, many for charity benefits. The stories are all filled with the signature warmth and humor that have always been an essential part of Maeve's appeal.
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© 2015,William Blake, overlooked in his time, remains an enigmatic figure to contemporary readers despite his near canonical status. Out of a wounding sense of alienation and dividedness he created a profoundly original symbolic language, in which words and images unite in a unique interpretation of self and society. He was a counterculture prophet whose art still challenges us to think afresh about almost every aspect of experience--social, political, philosophical, religious, erotic, and aesthetic. He believed that we live in the midst of Eternity here and now, and that if we could open our consciousness to the fullness of being, it would be like experiencing a sunrise that never ends. Following Blake's life from beginning to end, acclaimed biographer Leo Damrosch draws extensively on Blake's poems, his paintings, and his etchings and engravings to offer this generously illustrated account of Blake the man and his vision of our world. The author's goal is to inspire the reader with the passion he has for his subject, achieving the imaginative response that Blake himself sought to excite. The book is an invitation to understanding and enjoyment, an invitation to appreciate Blake's imaginative world and, in so doing, to open the doors of our perception.
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© 2015,This is the first full biography of Charles Williams (1886-1945), an extraordinary and controversial figure who was a central member of the Inklings - the group of Oxford writers that included C.S. Lewis and J.R.R. Tolkien. Charles Williams - novelist, poet, theologian, magician and guru - wasthe strangest, most multi-talented, and most controversial member of the group. He was a pioneering fantasy writer, who still has a cult following. C.S. Lewis thought his poems on King Arthur and the Holy Grail were among the best poetry of the twentieth century for "the soaring and gorgeous novelty of their technique, and their profound wisdom". But Williams was full ofcontradictions. An influential theologian, Williams was also deeply involved in the occult, experimenting extensively with magic, practising erotically-tinged rituals, and acquiring a following of devoted disciples. Membership of the Inklings, whom he joined at the outbreak of the Second World War, was only the final phase in a remarkable career. From a poor background in working-class London, Charles Williams rose to become an influential publisher, a successful dramatist, and an innovative literary critic.His friends and admirers included T.S. Eliot, W.H. Auden, Dylan Thomas, and the young Philip Larkin.A charismatic personality, he held left-wing political views, and believed that the Christian churches had dangerously undervalued sexuality. To redress the balance, he developed a "Romantic Theology", aiming at an approach to God through sexual love. He became the most admired lecturer in wartimeOxford, influencing a generation of young writers before dying suddenly at the height of his powers.This biography draws on a wealth of documents, letters and private papers, many never before opened to researchers, and on more than twenty interviews with people who knew Williams. It vividly recreates the bizarre and dramatic life of this strange, uneasy genius, of whom Eliot wrote, "For him therewas no frontier between the material and the spiritual world."
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© 2011,Renaissance plays and poetry in England were saturated with the formal rhetorical twists that a Latin education made familiar to audiences and readers. Garry Wills focuses his attention on 'Julius Caesar', here demonstrates how Shakespeare made these ancient devices vivid, giving his characters their own personal styles of Roman speech.
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© 2013,Since the publication of White Teeth in 2000, Zadie Smith has become one of the most popular contemporary writers and also one of the mostly widely studied. Taking criticism of Smith's work beyond its traditional focus on postcolonialism and multicultural identity, Reading Zadie Smith brings together leading international scholars to open up new directions in criticism of Smith's work. Covering such key topics as posthumanism, 'hysterical realism', religion, identity and ethics, this book brings together a full range of current critical perspectives to explore not only Smith's novels but also her short stories, her criticism and her non-fiction writing.
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© 2015,For over thirty years, the Oxford C. S. Lewis Society has met weekly in the medieval colleges of the University of Oxford. During that time, it has hosted as speakers nearly all those still living who were associated with the Inklings-the Oxford literary circle led by C. S. Lewis--as well as authors and thinkers of a prominence that nears Lewis's own. C. S. Lewis and His Circle offers the reader a chance to join this unique group. Roger White has worked with Society past presidents Brendan and Judith Wolfe to select the most important talks, which are here made available to the wider public for the first time. They exemplify the best of traditional academic essays, thoughtful memoirs, and informal reminiscences about C. S. Lewis and his circle. The reader will reimagine Lewis's Cosmic Trilogy with former Archbishop of Canterbury Rowan Williams, read philosopher Elizabeth Anscombe's final word on Lewis's arguments for Christianity, hear the Reverend Peter Bide's memories of marrying Lewis and Joy Davidman in an Oxford hospital, and learn about Lewis's Narnia Chronicles from his former secretary. Representing the finest of both personal and scholarly engagement with C. S. Lewis and the Inklings, the talks collected here set a new tone for engagement with this iconic Oxford literary circle--a tone close to Lewis's own Oxford--bred sharpness and wryness, seasoned with good humor and genuine affection for C. S. Lewis and his circle.
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© 2001,An unscrupulous Victorian lady exploits all available means to further the financial and social aspirations of her knavish son who plans to marry the daughter of a wealthy swindler.
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© 2013,Notions, constructions, and performances of race continue to define the contemporary American experience, including our conceptions, performances, and employments of Shakespeare. Passing Strange examines the contact zones between American constructions of Shakespeare and American constructions of race by asking: How is Shakespeare's universalism constructed within explicit discussions and debates about racial identity? Of what benefit is the promotion of Shakespeare and Shakespearean programs to incarcerated and/or at-risk persons of color? Are they aesthetic, moral, or linguistic? Do Shakespeare's plays need to be edited, appropriated, revised, updated, or rewritten to affirm racial equality and relevance? Do the answers to these questions impact our understanding of authorship, authority, and authenticity? A book that does not shy away from controversial topics or unconventional approaches, Passing Strange examines a wide range of contemporary texts and performances, including contemporary films, novels, theatrical productions, YouTube videos, and arts education programs. In addition, Passing Strange is written for a broad readership, including Shakespeare scholars, secondary school teachers, theatre practitioners, racial activists, and arts education organizers. Uniquely, this book challenges its readers to see American constructions of race and Shakespeare in glorious Technicolor.
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© 2007,This collection offers practical suggestions for the integration of non-Shakespearean drama into the teaching of Shakespeare. It shows both the ways in which Shakespearean drama is typical of its period and of the ways in which it is distinctive, by looking at Shakespeare and other writers who influenced and developed the genres in which he worked.
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© 2008,`the best story I have written.' Charles Dickens This edition of Dickens's famous historical novel includes extensive explanatory notes giving crucial background information about the Revolution and Dickens's sources.
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© 2014,Dr Faustus, first published in 1604 long after Christopher Marlowe had died (in 1593) and then published in an expanded version in 1616, has long fascinated readers and scholars alike as one of the great puzzles in Renaissance English drama. Marlowe himself was highly controversial in his own day, and remains so today, as a daringly heterodox writer. The so-called A-text of 1604 is very short, with missing and misplaced scenes. Some passages are clearly not by Marlowe, but by some other dramatist commissioned by the theatre entrepreneur Philip Henslowe to supplement Marlowe's incomparable tragic writing with some comic horseplay. The B-text adds a considerable amount of material from the Faustbook, padding out the story with more raucous comedy to satisfy audience longings for more magical stunts. This edition uniquely presents the two texts in facing pages, making the reader aware of the changing tastes of audiences, the stage history of the play, and of just how intricate 'editing' a play can be. With a concise and illuminating introduction, and relevant notes and images, this Revels Student Edition of the 'A' and 'B' texts of Dr Faustus will prove to be an enthralling document, and an excellent edition for student and theatre-goer alike.
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© 2014,This edition of As You Like It reprints the Bevington edition of the play accompanied by four sets of thematically arranged primary documents and illustrations. Including pastoral poetry, ballads, diatribes, jest books, tracts, emblems, maps, and woodcuts, the documents contextualize pastoral conventions; hetero- and homoerotic desire; cross-dressing by boy players; the meanings of 'ganymede,' folly, and fools; censorship and the risks of satire; and debates about gentility, manners, and education.
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© 2015,Advertising, long a controlling force in industrial society, has provoked an important body of imaginative work by English language writers. Michael Ross's Designing Fictions is the first study to investigate this symbiotic relationship on a broad scale. In view of the appreciable overlap between literary and promotional writing, Ross asks whether imaginative fiction has the latitude to critique advertising as an industry and as a literary form, and finds that intended critiques, time and again, turn out to be shot through with ambivalence. The texts considered include a wide range of books by British, American, and Canadian authors, from H.G. Wells's pioneering fictional treatment of mass marketing in Tono-Bungay (1909) to Joshua Ferris's depiction of a faltering Chicago agency in Then We Came to the End (2007). Along the way, among other examples, Ross discusses George Orwell's seriocomic study of the stand-off between poetry and advertising in his 1936 novel Keep the Aspidistra Flying and Margaret Atwood's probing of the impact of promotion on perception in The Edible Woman (1969). The final chapter of the book considers the popular television series Mad Men, where the tension between artistic and commercial pressures is especially acute. Written in a straightforward style for a wide audience of readers, Designing Fictions argues that the impact of advertising is universal and discussions of its significance should not be restricted to a narrow group of specialists.