New Arrivals: NC 1 - NC 9999
Showing 1 - 25 of 28 new items.
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© 2011,Drawing Projects combines a review of contemporary artists with a 'how to draw' guide, celebrating drawing as the process of seeing made visible. Drawing Projects profiles ten key artists, revealing their working environments and practices, including Gavin Turk, Dryden Goodwin, Keith Tyson, Cornelia Parker, William Kentridge, Claude Heath, Tim Knowles and Zoe Mendelson. The artists discuss the value of drawing in their own work, and invites you to think about how we view life, view art and view the story that they tell together. Drawing Projects includes fifteen projects to inspire you to join in and work through at your own pace. These detailed tutorials provide a how to draw these images guide. The combination of artists work and easy to follow projects make this a practical guide to inspire the artist in you.
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© 1994,One of the most famous of the Expressionists, Schiele evolved a highly personal art, strongly influenced by the Art Nouveau style. This treasury includes 44 of his finest drawings - portraits, character studies, nudes, more - all embodying the artist's distinctive and angular expressivity, revealing the inner psychological states and hidden personality traits of his subjects.
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© 2011,Drawing is experiencing an unparalleled surge in the art world. Passé notions that once defined drawing as being a preparatory stage for painting or sculpture have long since been cast aside. Drawing is now fully recognized as its own art form--in the biennials, art fairs, museum exhibitions, and beyond. Drawing has come of age. Contemporary artists are increasingly discovering that drawing is something unique and different from painting. It is an intense, sensitive, compelling, personal, and utterly direct art form, one with its own concepts, characteristics, and techniques. In addition, contemporary drawing is not governed by any particular imagery, but rather encompasses a variety of approaches, including realist, abstract, modernist, and post-modernist. Contemporary Drawing delves into the essential and far-reaching concepts of this medium, exploring surface, mark, space, composition, scale, materials, and intentionality in turn. Key techniques, such as using nature to induce marks and working with a checklist to determine a drawing's problems, are introduced throughout. Plus, an in-depth chapter examines a number of artists, such as William Kentridge and Gego, who are breaking traditional boundaries that separate one artistic discipline from another. Lushly illustrated by a wide range of highly accomplished contemporary artists, Contemporary Drawing offers a broad perspective on this expansive and energized field of art.
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© 1969,Great for the beginner and the expert, this book offers readers exercises to improve their work.
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© 2000,This guide offers in-depth instruction in drawing and painting horses. The author provides step-by-step lessons in: equine anatomy; skeletal structure and musculature; the differences between the breeds; techniques for quick life sketching; ways to include riders; and basic landscape settings.
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© 1990,A comprehensive guide to illustrating children contains 2,550 photographs of children, ranging in age from babies to young teenagers, in different positions, moods, and situations
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© 1989,Photographs of a wide variety of poses, expressions, actions. An invaluable tool for illustrators.
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© 2006,Complete with a friendly interface and inspirational music, this book enables artists to study and draw without the interruptions of fidgety models, limited studio time, or the need to continually move around fixed poses.
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© 1992,Provides illustrators with a series of photographs of professional and world-class athletes in action in their sports, chosen to exemplify authentic movements and poses
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© 2007,Everything you need to know to put your drawings and paintings into perspective! If the concept of perspective makes you think of confusing angles, fancy measuring gadgets and complicated theories, get ready for a very pleasant surprise. In this comprehensive guide, Phil Metzger demystifies perspective, presenting it simply as a matter of mimicking the way we see--like the way a distant mountain appears blue, or a road seems to narrow in the distance. The Art of Perspective offers simple but powerful techniques for achieving a convincing illusion of depth and distance, whether it's a few inches in a still life or miles in a landscape. Start simple, with atmospheric perspective and intuitive techniques, and gradually progress to linear perspective and more complex challenges such as stairways, curves and reflections. Use the engaging, step-by-step demonstrations and exercises to try out each essential concept for yourself, making lessons clearer and more memorable. Learn theories that apply to all mediums, with specific advice for achieving effects using acrylic, oil, watercolor and pencil. Get the inside scoop on professional tricks and shortcuts that make perspective easier than ever! Forget everything you think you know (or don't know) about perspective. This book builds an easy-to-follow, ground-up understanding of how to turn a flat painting or drawing surface into a living, breathing, dimensional scene that lures viewers in. No matter how you look at it, it's the ultimate guide to perspective for artists of every medium and skill level.
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© 2015,Drawing was a fundamental, stand-alone component of Alice Neel's practice, persistently pursued alongside painting, for which she is primarily known. As a medium, it enabled her to capture the immediacy of her visual experience--whether in front of her sitters or on the city streets--while also affording her a greater sense of experimentation and informality. Neel chose the subjects for both her paintings and drawings from her family, friends, and a broad variety of fellow New Yorkers: writers, poets, artists, students, textile salesmen, cabaret singers, and homeless bohemians. Through her penetrative, forthright, and at times humorous touch, her work subtly engaged with political and social issues, including gender, racial inequality, and labor struggles. Not initially intended for public view, her drawings reveal a more private and intimate nature than her paintings and as such reflect her deep sensitivity to these subjects. Yet they are far from sentimental and she readily stripped her sitters of their masks, foregrounding rather the incongruous, the awkward, and, at times, the comical. Although Neel's influences and style changed from decade to decade, her profound commitment to her subjects and to her art remained consistent over the course of her career, and although the appearance of many of her sitters changed over the years, there is a timeless quality to the works. As Claire Messud notes in her reflections on the artist in the exhibition catalogue, "The complex emotions Neel evokes in her art are nothing less than the contradictions of life itself."
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© 2015,In Birth of an Industry , Nicholas Sammond describes how popular early American cartoon characters were derived from blackface minstrelsy. He charts the industrialization of animation in the early twentieth century, its representation in the cartoons themselves, and how important blackface minstrels were to that performance, standing in for the frustrations of animation workers. Cherished cartoon characters, such as Mickey Mouse and Felix the Cat, were conceived and developed using blackface minstrelsy's visual and performative conventions: these characters are not like minstrels; they are minstrels. They play out the social, cultural, political, and racial anxieties and desires that link race to the laboring body, just as live minstrel show performers did. Carefully examining how early animation helped to naturalize virulent racial formations, Sammond explores how cartoons used laughter and sentimentality to make those stereotypes seem not only less cruel, but actually pleasurable. Although the visible links between cartoon characters and the minstrel stage faded long ago, Sammond shows how important those links are to thinking about animation then and now, and about how cartoons continue to help to illuminate the central place of race in American cultural and social life.
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© 2015,Everyone knows a Feiffer illustration when they see one: His characters leap across the page, each line belying humor and psychological insight. Over Feiffer's prolific 70-year career, his nimble and singular imagination has given us new perspectives as well as biting satires on politics, love, marriage, and religion--alternating with stories imbued with the playful anarchy of a child. Feiffer's varied output includes children's books ( The Phantom Tollbooth and Bark, George ), plays ( Little Murders ), movies ( Carnal Knowledge and Popeye ), and comic strips (most notably in his Pulitzer Prize-winning Village Voice comic strip of 42 years). Out of Line: The Art of Jules Feiffer is the long-awaited illustrated retrospective of Feiffer's celebrated career, providing a revealing glimpse into his creative process and his role as America's foremost Renaissance man of the arts. Praise for the work of Jules Feiffer: "Jules Feiffer is not only an Academy Award-winning filmmaker, but a Pulitzer Prize winner, a playwright, a teacher, a children's book author and illustrator, and a screenwriter. He is also one of the greatest cartoonists working today." --Robert Osborne "Jules Feiffer is a long-distance runner. . . . He has been operating at the highest level of his craft, producing a body of work that ranks with the finest ever produced in this country." --Pete Hamill "Samuel Johnson said he hoped God would think he had made good use of his God-given talents. Jules Feiffer need have no dread of such an audit. He came into this world capable of doing amusing and enchanting things with both language and drawing instruments. He has used these gifts as a faithful and tireless servant of humankind. What has made his services so welcome for so many years now is his possession, in addition to high intelligence, of something no hypocrite or egomaniac could claim, which is a humane sense of humor." --Kurt Vonnegut "Jules Feiffer, prolific hand and eye behind so many brilliant comics, screenplays, novels, [and] illustrations . . . remains one of the signature voices of a long era of American satire and dissent, the bridge from Lenny Bruce to the Simpsons." --Jonathan Lethem "Jules Feiffer was one of (if not) the first of the early writer/artists to emerge from the comic book ghetto into the literary/art world." --Will Eisner
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© 2014,#1 New York Times Bestseller In her first memoir, Roz Chast brings her signature wit to the topic of aging parents. Spanning the last several years of their lives and told through four-color cartoons, family photos, and documents, and a narrative as rife with laughs as it is with tears, Chast's memoir is both comfort and comic relief for anyone experiencing the life-altering loss of elderly parents. When it came to her elderly mother and father, Roz held to the practices of denial, avoidance, and distraction. But when Elizabeth Chast climbed a ladder to locate an old souvenir from the "crazy closet"-with predictable results-the tools that had served Roz well through her parents' seventies, eighties, and into their early nineties could no longer be deployed. While the particulars are Chast-ian in their idiosyncrasies-an anxious father who had relied heavily on his wife for stability as he slipped into dementia and a former assistant principal mother whose overbearing personality had sidelined Roz for decades-the themes are universal: adult children accepting a parental role; aging and unstable parents leaving a family home for an institution; dealing with uncomfortable physical intimacies; managing logistics; and hiring strangers to provide the most personal care. An amazing portrait of two lives at their end and an only child coping as best she can, Can't We Talk about Something More Pleasant will show the full range of Roz Chast's talent as cartoonist and storyteller.
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© 2009,This book combines beginning design principles with design skills and software instruction. Using a hands-on approach, ideal for the introductory student in graphic design, the book starts each chapter with a design "masterwork" by a well known graphic designer then walks the reader through the concepts being covered and shows them how to use the appropriate software to produce their work.
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© 2009,This book combines beginning design principles with design skills and software instruction. Using a hands-on approach, ideal for the introductory student in graphic design, the book starts each chapter with a design "masterwork" by a well known graphic designer then walks the reader through the concepts being covered and shows them how to use the appropriate software to produce their work.
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© 1992,Tasha Tudor has written and illustrated more than seventy-five beloved children's books since her first, Pumpkin Moonshine, in 1938. Now seventy-seven years old, she lives on a farm in southern Vermont, where she has recreated an early Victorian world. To capture this intimate portrait of Tasha Tudor, photographer Richard Brown followed her throughout a year on her farm. By interweaving Tudor's own words and more than 100 color photographs, Brown has evoked the essence of Tudor's uniquely appealing personality and way of life. The inspiration for Tudor's art is evident in her delightful surroundings. Foremost is the magnificent garden she designed and rightfully calls Paradise on earth. A lively menagerie is always underfoot, indoors and out, including her trademark corgies, the Nubian goats she milks twice a day, the one-eyed cat Minou, the chickens, fantail doves, and the cockatiels, canaries, exotic finches, and parrots that inhabit a virtual village of antique cages. We watch Tudor at work in a corner of her winter kitchen, her chipmunk's nest, on the delicate watercolors and drawings that illustrate the books and calendars that have charmed three generations. Examples of her work are scattered throughout the book, including many drawings from her sketchbook and vignettes never previously published. Her enchanting three-story dollhouse is featured in detail as are her handmade dolls and marionettes as well as the candlelit tree that is the centerpiece of Tasha Tudor's old-fashioned New England Christmas. Born in 1914 into Boston society (she sat on Oliver Wendell Holmes's knee as a child; Mark Twain and Albert Einstein were also her parents' friends), Tudor felt from an earlyage that she had lived before, in the 1830s. She says, Everything comes so easily to me from that period, of that time: threading a loom, growing flax, spinning, milking a cow. Dressed in antique clothing, spinning and weaving her own linen, cooking on a woodstove with nineteenth
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© 2014,This book presents fifteen books - from monographs and translations to collections of essays - that emerged from the research platform Speculative Poetics, conceived by Armen Avanessian in 2011. This book gives a somewhat different introduction to contemporary speculative philosophy, raising questions on how thinking works and how thinking occurs in drawings or illustrations. How does a poetic thinking work that's not about but with art?0Andreas Töpfer's drawings in this book are not illustrations of the texts. Rather it's the other way around: they need to be read so that the texts can start to refer to them. In this sense, this book does not provide a shortcut to the theories presented; it does not aim to build a representational relationship between a pictorially correct understanding and a correlative conceptual thought. Instead, the drawings provide an occasion to think about thinking - a speculative thinking and writing in concept and through images.