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Showing 1 - 9 of 9 new items.
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© 2014,The Greek Anthology contains some 4,500 short Greek poems in the sparkling and diverse genre of epigram, written by more than a hundred poets and collected over many centuries. To the original collection, called The Garland ( Stephanus ) by its contributing editor, Meleager of Gadara (first century BCE), was added another Garland by Philip of Thessalonica (mid-first century CE) and then a Cycle by Agathias of Myrina (567/568 CE). In about 900 CE these collections (now lost) and perhaps others (also lost, by Rufinus, Diogenianus, Strato, and Palladas) were partly incorporated and arranged into fifteen books according to subject by Constantine Cephalas; most of his collection is preserved in a manuscript called the Palatine Anthology . A second manuscript, the Planudean Anthology made by Maximus Planudes in 1301, contains additional epigrams omitted by Cephalas. Outstanding among the poets are Meleager, Antipater of Sidon, Crinagoras, Palladas, Agathias, and Paulus Silentiarius. This Loeb edition of The Greek Anthology replaces the earlier edition by W. R. Paton, with a Greek text and ample notes reflecting current scholarship. Volume I contains the following books: 1. Christian Epigrams; 2. Description of the Statues in the Gymnasium of Zeuxippus; 3. Epigrams in the Temple of Apollonis at Cyzicus; 4. Prefaces to Various Anthologies; and 5. Erotic Epigrams. -
© 2015,In this updated and extended edition of The Greek Sense of Theatre, scholar and practitioner J.Michael Walton revises and expands his visual approach to the theatre of classical Athens. From the tragedies of Aeschylus, Sophocles and Euripides to the old and new comedies of Aristophanes and Menander, he argues that while Greek drama is seen now as a performance-based rather than a strictly literary medium, more attention should still be paid to the nature of stage image and masked acting as part of this conception.
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© 2015,This is the personal and deeply passionate story of a life devoted to reclaiming the timeless power of an ancient artistic tradition to comfort the afflicted. For years, theater director Bryan Doerries has led an innovative public health project that produces ancient tragedies for current and returned soldiers, addicts, tornado and hurricane survivors, and a wide range of other at-risk people in society. Drawing on these extraordinary firsthand experiences, Doerries clearly and powerfully illustrates the redemptive and therapeutic potential of this classical, timeless art: how, for example, Ajax can help soldiers and their loved ones better understand and grapple with PTSD, or how Prometheus Bound provides new insights into the modern penal system. These plays are revivified not just in how Doerries applies them to communal problems of today, but in the way he translates them himself from the ancient Greek, deftly and expertly rendering enduring truths in contemporary and striking English. The originality and generosity of Doerries's work is startling, and The Theater of War --wholly unsentimental, but intensely felt and emotionally engaging--is a humane, knowledgeable, and accessible book that will both inspire and enlighten. Tracing a path that links the personal to the artistic to the social and back again, Doerries shows us how suffering and healing are part of a timeless process in which dialogue and empathy are inextricably linked.
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© 2015,The Odyssey is one of the world's greatest and best-loved poems. It has survived for twenty-eight centuries, through upheavals that have wiped out most of what was written in the ancient world. Now Barry B. Powell, one of the twenty-first century's leading Homeric scholars, has given us a powerful new translation. Powell's translation renders the Homeric Greek with a simplicity and dignity reminiscent of the original. The text immediately engrosses students with its tight and balancedrhythms, while the incantatory repetitions evoke a continuous stream of sound" that offers as good an impression of Homer's Greek as one could hope to attain without learning the language. Accessible, poetic, and accurate, this translation is an excellent fit for today's students. Powell exposes them to all of the adventure, cunning, pathos, and humor that are Homer's Odyssey." -
© 2013,Aristophanes is widely credited with having elevated the classical art of comedy to the level of legitimacy and recognition that only tragedy had hitherto achieved, and producing some of the most intriguing works of literature to survive from classical Greece in the process. Among them, Frogs has a unique appeal; written and performed in 405 BCE, the comedy won first prize in that year's Lenaea festival competition and was re-performed soon thereafter--a rare occurrence for comedies at the time. Frogs has been admired and quoted by readers and critics ever since, a testament to its timeless appeal; it remains among the most approachable of Aristophanes' plays, as well as perhaps the richest of all in insights it provides into ancient Greek cultural attitudes and values. Mark Griffith's study of the Frogs is the first single book to offer a reliable and sophisticated account of this play in light of modern notions of culture, performance, democracy, religion, and aesthetics. After placing the work in its original historical, cultural, and biographical context, Griffith goes on to underscore the originality of Frogs in relation to parallel developments in the tragedies of Aeschylus and Euripides, among others. He highlights the play's unique portrayal of the figure of Dionysus, the Eleusinian mystery cult, and the question of life after death. This title provides not only a detailed analysis of the play and a concise account of its reception, but also a succinct introduction to ancient Greek comedy, exploring the extraordinary range of theatrical conventions, moral and aesthetic assumptions, and religious beliefs that underlie the action of Aristophanes' play. The book provides an invaluable companion to Aristophanes and the theater of classical Greece for students and general readers alike. -
© 1994,This volume contains three masterpieces by the Greek playwright Sophocles, widely regarded since antiquity as the greatest of all the tragic poets. The vivid translations, which combine elegance and modernity, are remarkable for their lucidity and accuracy, and are equally suitable for reading for pleasure, study, or theatrical performance. The selection of Antigone, Oedipus the King, and Electra not only offers the reader the most influential and famous of Sophocles' works, it also presents in one volume the two plays dominated by a female heroic figure, and the experience of the two great dynasties featured in Greek tragedy--the houses of Oedipus and Agamemnon. -
© 1988,This English translation of Aristophanes' most popular comedy will appeal to the modern reader because of its lively and imaginative plot, memorable heroine, good jokes, and appeal for peace and tolerance between nations and between the sexes. This edition includes background material on the historical and cultural context of this work, suggestions for further reading, notes, and a map. The Focus Classical Library provides close translations with notes and essays to provide access to understanding Greek culture and the roots of contemporary thought. -
© 1999,This translation is intended primarily for classroom use. It is aimed first of all at being clear and true to the basic meaning of the text. After that Paul Woodruff has tried to bring across some of the beauty of poetry given the chorus as well as the rhetorical power and cleverness of the dialogue and speeches. The translation of this play through manuscript is unusually troublesome; many lines seem to have fallen out during copying and storage over the centuries and many errors have been introduced Although the author has supplied a few lines to fill small gaps where the meaning is obvious, he has not devised speeches to make up for the lost passages at the end; instead the author has included an appendix with the main evidence that pertains to them. -
© 1999,Drawing on comprehensive analyses of all of Sophocles' plays, on structuralist anthropology, and on other extensive work on myth and tragedy, Charles Segal examines Sophocles both as a great dramatic poet and as a serious thinker. He shows how Sophoclean tragedy reflects the human condition in its constant and tragic struggle for order and civilized life against the ever-present threat of savagery and chaotic violence, both within society and within the individual. For this edition Segal also provides a new preface discussing recent developments in the study of Sophocles.