New Arrivals: PQ 4001 - PQ 5999.9999
Showing 1 - 16 of 16 new items.
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© 2012,The contributors to this new volume are in the main Dante scholars of great importance, especially in Anglophone circles, whether in new work or reprints of seminal scholarship over decades. Essays include a close reading of Dante, a chapter comparing and
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© 2007,Winner, 2007University & College Designers Association Design Award"Nobody says Shakespeare is dead, "Antonio Fava tells us," but Commedia, they say, is dead. Why? "Because clearly, he goes on, we have Shakespeare's texts, but nobody knows what to do with the improvisation that is the basis of the Commedia dell'Arte, despite massive documentation. This book by Fava, one of the few living master teachers of Commedia dell'Arte, is the first aesthetic and methodological study of the traditional Italian theater form--the first to describe, in a precise and practical way, what Commedia is and what it should be. The mask--as object, symbol, character, theatrical practice, even spectacle itself--is the central metaphor around which Fava builds his discussion of structure, themes, characters, and methods. Drawing on twenty years of research conducted through his work as performer, director, mask maker, and scholar, he offers extensive practical, philosophical, and technical guidelines to performing the stock characters of Commedia, observing its structure, extracting its poetics, exploring its themes, and using the mask. A densely layered text combining historical fact, personal experience, philosophical speculation, and passionate opinion, and including copious illustrations--period drawings, prints, and color photographs of leather Commedia masks made by Fava himself--"The Comic Mask in the Commedia dell'Arte" is a rich work of singular insight into one of the world's most venerable forms of theater. "
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© 2002,This 2002 book explores the commedia dell'arte: the Italian professional theatre in Shakespeare's time. The actors of this theatre usually did not perform from scripted drama but improvised their performances from a shared plot and thorough knowledge of individual character roles. Robert Henke closely considers commedia dell'arte texts to demonstrate how the spoken word and written literature were fruitfully combined in performance. Henke examines a number of primary sources including performance accounts, actors' contracts, letters, popular poems, memorials of deceased actors, scenarios, and printed plays, among other documents. Henke analyzes the character system in the commedia dell'arte, individual roles, Venetian buffoni, and provides detailed case studies of early actors and actresses. While previous studies have concentrated on either the oral or the literary aspects of commedia dell'arte, this was the first book to consider how these two elements might have worked together to create this rich and fascinating theatre.
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© 2015,Incorporating the most recent research by scholars in Italy, the UK, Ireland and North America, this collection of essays foregrounds Boccaccio's significance as a pre-eminent scholar and mediator of the classical and vernacular traditions, whose innovative textual practices confirm him as a figure of equal standing to Petrarch and Dante. Situating Boccaccio and his works in their cultural contexts, the Companion introduces a wide range of his texts, paying close attention to his formal innovations, elaborate voicing strategies, and the tensions deriving from his position as a medieval author who places women at the centre of his work. Four chapters are dedicated to different aspects of his masterpiece, the Decameron, while particular attention is paid to the material forms of his works: from his own textual strategies as the shaper of his own and others' literary legacies, to his subsequent editorial history, and translation into other languages and media. -
© 2013,"Just like every collection, this one is a diary as well: a diary of travels, of course, but also of feelings, states of mind, moods . . . The fascination of a collection lies just as much in what it reveals as in what it conceals of the secret urge that led to its creation." -- from Collection of Sand Italo Calvino's unbounded curiosity and masterly imagination are displayed in peak form in Collection of Sand , the last of his works published during his lifetime. Here he applies his graceful intellect to the delights of the visual world, in essays on subjects ranging from cuneiform and antique maps to Mexican temples and Japanese gardens. Never before translated into English, Collection of Sand is an incisive and often surprising meditation on observation and knowledge, the difference between the world as we perceive it and the world as it is. "Beautifully translated by Martin McLaughlin . . . To read [ Collection of Sand ] is to enter the presence of an exceptionally fervent and fertile mind . . . A brilliant collection that may change the way you see the world around you." -- PD Smith, Guardian -
© 2014,Most people outside Italy know Pier Paolo Pasolini for his films, many of which began as literary works#151; Arabian Nights , The Gospel According to Matthew , The Decameron , and The Canterbury Tales among them. What most people are not aware of is that he was primarily a poet, publishing nineteen books of poems during his lifetime, as well as a visual artist, novelist, playwright, and journalist. Half a dozen of these books have been excerpted and published in English over the years, but even if one were to read all of those, the wide range of poetic styles and subjects that occupied Pasolini during his lifetime would still elude the English-language reader. nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp; For the first time, Anglophones will now be able to discover the many facets of this singular poet. Avoiding the tactics of the slim, idiosyncratic, and aesthetically or politically motivated volumes currently available in English, Stephen Sartarelli has chosen poems from every period of Pasolini's poetic oeuvre. In doing so, he gives English-language readers a more complete picture of the poet, whose verse ranged from short lyrics to longer poems and extended sequences, and whose themes ran not only to the moral, spiritual, and social spheres but also to the aesthetic and sexual, for which he is most known in the United States today. This volume shows how central poetry was to Pasolini, no matter what else he was doing in his creative life, and how poetry informed all of his work from the visual arts to his political essays to his films. Pier Paolo Pasolini was #147;a poet of the cinema," as James Ivory says in the book's foreword, who #147;left a trove of words on paper that can live on as the fast-deteriorating images he created on celluloid cannot." nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp; This generous selection of poems will be welcomed by poetry lovers and film buffs alike and will be an event in American letters. -
© 2014,A towering figure in world literature, Dante wrote his great epic poem Commedia in the early fourteenth century. The work gained universal acclaim and came to be known as La Divina Commedia , or The Divine Comedy . Giuseppe Mazzotta brings Dante and his masterpiece to life in this exploration of the man, his cultural milieu, and his endlessly fascinating works. nbsp; Based on Mazzotta's highly popular Yale course, this book offers a critical reading of The Divine Comedy and selected other works by Dante. Through an analysis of Dante's autobiographical Vita nuova , Mazzotta establishes the poetic and political circumstances of The Divine Comedy . He situates the three sections of the poem--Inferno, Purgatory, Paradise--within the intellectual and social context of the late Middle Ages, and he explores the political, philosophical, and theological topicsnbsp;with which Dante was particularly concerned. -
© 2013,The year is 1348. The Black Death has begun to ravage Europe. Ten young Florentines--seven women and three men--escape the plague-infested city and retreat to the countryside around Fiesole. At their leisure in this isolated and bucolic setting, they spend ten days telling each other stories--tales of romance, tragedy, comedy, and farce--one hundred in all. The result, called by one critic "the greatest short story collection of all time" (Leonard Barkan, Princeton University) is a rich and entertaining celebration of the medley of medieval life.Witty, earthy, and filled with bawdy irreverence, the one hundred stories of The Decameron offer more than simple escapism; they are also a life-affirming balm for trying times. The Decameron is a joyously comic book that has earned its place in world literature not just because it makes us laugh, but more importantly because it shows us how essential laughter is to the human condition.Published on the 700th anniversary of Boccaccio's birth, Wayne A. Rebhorn's new translation of The Decameron introduces a generation of readers to this "rich late-medieval feast" in a "lively, contemporary, American-inflected English" (Stephen Greenblatt, Harvard University) even as it retains the distinctly medieval flavor of Boccaccio's rhetorically expressive prose.An extensive introduction provides useful details about Boccaccio's historical and cultural milieu, the themes and particularities of the text, and the lines of influence flowing into and out of this towering monument of world literature. -
© 2013,Long celebrated as one of "the Three Crowns" of Florence, Giovanni Boccaccio (1313-75) experimented widely with the forms of literature. His prolific and innovative writings--which range beyond the novella, from lyric to epic, from biography to mythography and geography, from pastoral and romance to invective--became powerful models for authors in Italy and across the Continent. This collection of essays presents Boccaccio's life and creative output in its encyclopedic diversity. Exploring a variety of genres, Latin as well as Italian, it provides short descriptions of all his works, situates them in his oeuvre, and features critical expositions of their most salient features and innovations. Designed for readers at all levels, it will appeal to scholars of literature, medieval and Renaissance studies, humanism and the classical tradition; as well as European historians, art historians, and students of material culture and the history of the book. Anchored by an introduction and chronology, this volume contains contributions by prominent Boccaccio scholars in the United States, as well as essays by contributors from France, Italy, and the United Kingdom. The year 2013, Boccaccio's seven-hundredth birthday, will be an important one for the study of his work and will see an increase in academic interest in reassessing his legacy. -
© 2013,Using Dan Brown's book as a jumping off point, Inferno Revealednbsp; will provide readers of Brown's Inferno with an engaging introduction to Dante and his world. Much like the books on Leonardo that followed the release of the Da Vinci Code , this book will provide readers with more information about the ever-intriguing Dante. Specifically, Inferno Revealed explores how Dante made himself the protagonist of The Divine Comedy, something no other epic poet has done, a move for which the ramifications have not yet been fully explored. The mysteries and puzzles that arise from Dante's choice to personalize the epic, along with his affinity for his local surroundings and how that affects his depiction of the places, Church, and politics in the poem are considered - along with what this reveals about Brown's own usage of the work.The authors will focus on and analyze how Dan Brown has repurposed Inferno in his newest book - noting what he gets right and what errors are made when he does not. Of course, Dan Brown is not the first author to base his work on Dante. The Comedy has elicited many adaptations from major canonical writers such as Milton and Keats to popular adaptations like David Fincher's Se7en and Tim Burton's Beetlejuice - all of which will be discussed in detail within  Inferno Revealed . -
© 2013,Putting the sex back in Pleasure, here is the first new English translation since the Victorian era of the great Italian masterpiece of sensuality and seduction Like Oscar Wilde's Dorian Gray, Andrea Sperelli lives his life as a work of art, seeking beauty and flouting the rules of morality and social interaction along the way. In his aristocratic circles in Rome, he is a serial seducer. But there are two women who command his special regard: the beautiful young widow Elena, and the pure, virgin-like Maria. In Andrea's pursuit of the exalted heights of extreme pleasure, he plays them against each other, spinning a sadistic web of lust and deceit. This new translation of D'Annunzio's masterpiece, the first in more than one hundred years, restores what was considered too offensive to be included in the 1898 translation--some of the very scenes that are key to the novel's status as a landmark of literary decadence. -
© 1999,The glitter and cynicismnbsp;of Rome under Mussolini provide the background of what is probably Alberto Moravia's best and best-known novel -- The Woman of Rome . It's the story of Adriana, a simple girl with no fortune but her beauty who models naked for a painter, accepts gifts from men, and could never quite identify the moment when she traded her private dream of home and children for the life of a prostitute. One of the very few novels of the twentieth century which can be ranked with the work of Dostoevsky, The Woman of Rome also tells the stories of the tortured university student Giacomo, a failed revolutionary who refuses to admit his love for Adriana; of the sinister figure of Astarita, the Secret Police officer obsessed with Adriana; and of the coarse and brutal criminal Sonzogno, who treats Adriana as his private property. Within this story of passion and betrayal, Moravia calmly strips away the pride and arrogance hiding the corrupt heart of Italian Fascism. -
© 1989,Bored with their work, three Milanese editors cook up "the Plan," a hoax that connects the medieval Knights Templar with other occult groups from ancient to modern times. This produces a map indicating the geographical point from which all the powers of the earth can be controlled#151;a point located in Paris, France, at Foucault's Pendulum. But in a fateful turn the joke becomes all too real, and when occult groups, including Satanists, get wind of the Plan, they go so far as to kill one of the editors in their quest to gain control of the earth. Orchestrating these and other diverse characters into his multilayered semiotic adventure, Eco has created a superb cerebral entertainment. nbsp; -
© 2013,This is the first collection in English of the extraordinary letters of one of the great writers of the twentieth century. Italy's most important postwar novelist, Italo Calvino (1923-1985) achieved worldwide fame with such books as Cosmicomics , Invisible Cities , and If on a Winter's Night a Traveler . But he was also an influential literary critic, an important literary editor, and a masterful letter writer whose correspondents included Umberto Eco, Primo Levi, Gore Vidal, Leonardo Sciascia, Natalia Ginzburg, Michelangelo Antonioni, Pier Paolo Pasolini, and Luciano Berio. This book includes a generous selection of about 650 letters, written between World War II and the end of Calvino's life. Selected and introduced by Michael Wood, the letters are expertly rendered into English and annotated by well-known Calvino translator Martin McLaughlin. The letters are filled with insights about Calvino's writing and that of others; about Italian, American, English, and French literature; about literary criticism and literature in general; and about culture and politics. The book also provides a kind of autobiography, documenting Calvino's Communism and his resignation from the party in 1957, his eye-opening trip to the United States in 1959-60, his move to Paris (where he lived from 1967 to 1980), and his trip to his birthplace in Cuba (where he met Che Guevara). Some lengthy letters amount almost to critical essays, while one is an appropriately brief defense of brevity, and there is an even shorter, reassuring note to his parents written on a scrap of paper while he and his brother were in hiding during the antifascist Resistance. This is a book that will fascinate and delight Calvino fans and anyone else interested in a remarkable portrait of a great writer at work. -
© 2013,The Divine Comedy is the precursor of modern literature, and this translation--decades in the making--gives us the entire epic as a single, coherent and compulsively readable lyric poem. Written in the early fourteenth century and completed in 1321, the year of Dante's death, The Divine Comedy is perhaps the greatest work of epic poetry ever composed.Divided into three books--Hell, Purgatory and Heaven--the poem's allegorical vision of the afterlife portrays the poet's spiritual crisis in terms of his own contemporary history, in a text of such vivid life and variety that modern readers will find themselves astounded in a hundred different ways. And indeed the structure of this massive single song is divided into a hundred songs, or cantos, each of which is a separate poetic miracle. But unifying them all is the impetus of the Italian verse: a verbal energy that Clive James has now brought into English.In his introductory essay, James says that the twin secrets of Dante are texture and impetus. All the packed detail must be there, but the thing must move. It should go from start to finish with an unflagging rhythm. In the original, the basic form is the terza rima, a measure hard to write in English without showing the strain of reaching once too often for a rhyme. In this translation, the basic form is the quatrain. The result, uncannily, is the same easy-seeming flow, a wonderful momentum that propels the reader along the pilgrim's path from Hell to Heaven, from despair to revelation.To help ensure that no scholastic puzzles get in the road of appreciation, James has also adopted the bold policy of incorporating key points from the scholarship into the text: uploading them from the footnotes, as it were, and making them part of the narrative, where they can help to make things clear.For its range of emotion alone, Clive James's poeticnbsp;rendering of The Divine Comedy would be without precedent. But it is also singled out by its sheer readability. The result is the epic as a page-turner, a work that will influence the way we read Dante in English for generations to come.